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CategoriesStyles and Movements

Cynical Realism

Chinese painting of the early 1990s whose bald, grinning or yawning figures met the mood after 1989 with irony and deadpan humour.

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Cynical Realism took shape in Beijing after the suppression of the 1989 Tiananmen Square protests, when the idealism of the 1980s avant-garde gave way to disillusion. The critic Li Xianting gave the tendency its name. Its painters turned the academic figure painting they had learned towards boredom, absurdity and aimlessness instead of heroism.

Fang Lijun painted shaven-headed young men yawning or shouting against empty skies and water. Yue Minjun repeated his own laughing face, eyes shut and teeth bared, across crowds of identical figures. Liu Wei painted relatives and soldiers in slack poses and garish, loosely handled colour. Zeng Fanzhi, slightly apart from the group, moved from expressionist hospital scenes to his Mask series, begun in 1994, in which city dwellers in suits hide behind pale masks. The style overlapped with Political Pop and became one of the most recognisable faces of Chinese art abroad in the 1990s.

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