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CategoriesStyles and Movements

Contemporary Photography

Photography made since the 1970s, when colour, large prints and later digital tools helped the medium stand level with painting.

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Until the 1970s most photography made as art was black and white and modest in size. That changed when William Eggleston showed his colour pictures of the American South in New York in 1976, and when Stephen Shore and Joel Sternfeld took large-format cameras on long road trips. Colour, once tied to advertising and family snapshots, became a deliberate choice.

Scale and invention followed. From the late 1970s Jeff Wall mounted staged scenes as backlit transparencies in lightboxes, and Andreas Gursky and Thomas Struth later made prints several metres wide. Cindy Sherman cast herself in invented roles in Untitled Film Stills (1977–80), questioning whether a photograph records anything at all. Digital cameras and editing software, common by the 2000s, made seamless alteration easy. Documentary work continues alongside all this, from Carrie Mae Weems's Kitchen Table Series (1990) to long projects on communities, often published as books.

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