Stolen Moments
People caught unawares, by painters imagining private moments and by photographers working with hidden or unnoticed cameras.
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About
Some pictures seem to catch people who do not know they are being watched. Painters could only suggest it: Johannes Vermeer's women reading letters are wholly absorbed, and Edgar Degas's pastels of women bathing in the 1880s crop and angle the view as though glimpsed through a doorway.
The camera made the stolen moment real. Paul Strand fitted a false lens to his camera to photograph New Yorkers unobserved, as in Blind (1916), and Walker Evans hid a camera under his coat to record passengers on the New York subway between 1938 and 1941. In Tokyo in the 1970s Kohei Yoshiyuki used infrared film to photograph couples in night-time parks and the voyeurs creeping toward them. Around 2000 Philip-Lorca diCorcia lit passers-by in Times Square with hidden strobes for his series Heads. Such work raises lasting questions about privacy and consent.
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