Symbolic Composition
Pictures built like puzzles, where objects and figures are chosen and placed to carry meanings beyond what they show.
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Some pictures are built like puzzles, with every object chosen to carry meaning. Jan van Eyck's Arnolfini Portrait (1434) sets a couple among a single lit candle, a small dog, oranges on the sill and a convex mirror, details that scholars still read in different ways. George Frederic Watts's Hope (1886) seats a blindfolded woman on a globe, straining to hear the last string of a broken lyre, and Arnold Böcklin's Isle of the Dead (1880) distils a final journey into a rowing boat, a white-shrouded figure and a dark cluster of cypresses.
The Surrealists and their contemporaries charged symbols with private, dreamlike meanings. Dorothea Tanning's Eine Kleine Nachtmusik (1943) places two girls, a giant sunflower and a half-open door in a corridor, and the Japanese painter Koga Harue's The Sea (1929) assembles a submarine, a factory, a zeppelin and a woman in a bathing suit from magazine imagery.
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The Body
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The Domestic and Domesticity

The Elements
The Environment

The Fantastic
The Mundane

The Seasons

The Senses
The Sublime

