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CategoriesStyles and Movements

Political Minimalism

Contemporary art that uses Minimalism's stark forms, such as the monochrome, the stack and the grid, to address politics, identity and loss.

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About

In the 1960s Donald Judd, Carl Andre and Sol LeWitt presented boxes, bricks and grids as objects with no story to tell. Since the late 1980s many artists have borrowed that pared-down language to carry content about bodies, labour, race and power. The label is informal, used by critics rather than claimed by a group.

Felix Gonzalez-Torres made the clearest case. His spills of wrapped sweets, such as “Untitled” (Portrait of Ross in L.A.) (1991), from which visitors may take a piece, made Minimalist form an image of a partner lost to AIDS. Byron Kim's Synecdoche (begun 1991) is a grid of small panels, each matched to one person's skin, and Glenn Ligon stencils borrowed sentences about race until they smear into dark fields. Santiago Sierra pays workers to perform pointless tasks. Art historians such as Anna Chave have in turn read 1960s Minimalism as a rhetoric of power.

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