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Femininity

Art that shapes, performs or questions the looks, manners and roles a society expects of women.

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Femininity is the set of looks, manners and roles a society assigns to women, and art has both produced those ideals and pulled them apart. Simone de Beauvoir argued in 1949 that one is not born but becomes a woman. Earlier images fixed types: Jean-Auguste-Dominique Ingres gave his Grande Odalisque (1814) an impossibly long back, and around 1900 Alphonse Mucha's posters turned women into flowing hair and ornament.

From the 1970s artists examined how femininity is performed. Mary Beth Edelson pasted women artists' faces over the apostles in Leonardo's Last Supper for Some Living American Women Artists (1972), Judy Chicago's The Dinner Party (1974–79) set places for thirty-nine women from history, and Cindy Sherman's Untitled Film Stills (1977–80) cast the artist as film heroines who never existed. Shirin Aliabadi's Miss Hybrid photographs (2006) show young Tehran women with bleached hair and nose plasters, mixing global and local beauty codes.

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